Tuesday, 10 May 2011
Jean Teasdale and a Life Spent On An Escalator
Satire is a difficult thing to review for the same reason that Saturday Night Live sketches generally don’t make good movies: because satire by definition has little depth, and its thin premises are soon exhausted. Satire is simply a cleverly skewed presentation of truths everyone readily acknowledges, and one can find little to say about it before having to resort to obvious truisms. And so although I’ve intended to write a review of The Onion’s first ever “columnist-written” book, A Book of Jean's Own! All New Wit, Wisdom, and Wackiness from The Onion's Beloved Humor Columnist,by Jean Teasdale (really Maria Schneider), ever since it came out last fall, coming up with enough words on the subject has involved much mental scratching about. But I was determined to get this review written. I do think Jean comes close to transcending her satirical type and becoming a realized character with some interesting ramifications. I won’t go so far as to say she makes her readers care about her, exactly, but she’s real enough that many people who read her say they know someone very much like her, and sometimes cringe at her partial likeness to themselves. I have several friends who are equally into the Jean Teasdale material and we have very lively conversations about her and talk about her as though she exists. Tellingly, these conversations often seem to be on the theme of “how we could get her life on track”, and thereby tap into one of the most important veins in Jean’s character.
Human beings have a natural bent towards improving themselves and their lot. If we didn’t, we’d all still be living in caves and gnawing on raw meat. After millions of years of progressive development and invention we’ve exacerbated and inflated this tendency until we’ve reached a point of schizophrenic divide. We’re bombarded with images of perfection and incredible achievements while at the same time have reached such an apex of material comfort and convenience that comparatively little effort is absolutely required of us. At least in North America, and under certain circumstances, one can with relatively little effort and knowledge ride the crest of excess material goods and easy credit and self-satisfied ignorance like a sun-baked, slurpee-sipping water park visitor on an air mattress in a wave pool. Resolving this tension within ourselves, deciding upon realistic individual standards, and maintaining a reasonable and consistent level of effort can require concerted effort. Some people find their balance in this matter easily, but for others this schism is a source of great conflict and practical difficulties. Entering the ring of this conflict is one Jean Teasdale, proud and willful lowest common denominator.
Jean is at once an exasperating and enjoyable departure from the social norm of at least making some effort towards being all you can be (or, failing that, feeling guilty if you don’t). Some of Jean’s best and most hilarious moments are those in which she is on the very brink of achieving a state of mindfulness and then turns and snatches the iron, or rather, her Teflon psyche, from the fire. One classic example of such a moment occurs in one of my very favourite Jean columns, the one she wrote after 9/11, in which she decides to deal with the horror of the terrorist attacks by pretending they never happened, and this column about her marriage contains another example. It’s almost refreshing to see someone decide to not only embrace but wallow in her own rock-bottom laziness and sub minimal standards: someone who has “dress sweats”; who happily reports that she wears Crocs and clogs so as not to have to lace up her own shoes; who reads only home making and bridal magazines and romance novels; and takes to her bed, well fortified with junk food and sweets, whenever reality encroaches and life presents her with a challenge.
But then too, there is the urge to “fix” Jean. Her refusal to expect anything of herself or to be realistic has led to a life of precarious mental balance, and forces her increasingly more deeply into denial. She’s like someone who enjoys the free and easy ride on an escalator so much she tries to stay on it all day, and runs into all the drawbacks and hazards one might expect. Her marriage is a hopeless mismatch, she is a middle-aged women with a net financial worth of well under zero, she thinks she’s going to have the three children she dreams of even though she’s 40 and married to a man who doesn’t in the least want a child, she’s so overweight it impacts what she can physically do, she’s been fired from a long series of thankless minimum wage jobs, and she has no skills or education beyond high school.
My friend Jay and I have discussed how Jean could turn her life around or at least make it suck a little less. I suggested that Jean could sell the hundreds of stuffed animals and dolls and “collectibles” and assorted crap she seems to have acquired, which would surely give her a nest egg of at least a few thousand dollars, get at least a part-time minimum wage job and take it seriously enough to hold onto it, make up a budget and stick to it, cut up her credit cards, start knocking down some debt, and look into part-time community college programs. Once she has her finances under control, skills, and a job with enough income to be self-sufficient, she can move out. Jay thinks Jean should leave Rick and declare bankruptcy, immediately.
Maria Schneider has said that the Jean columns get more depressing with each one she writes, and that’s understandable. I first discovered Jean in the summer of 2001 upon reading this column, and not too long after read most of her archived columns at one sitting. It induced a weird mental state in me that I can only compare to the feeling one gets from eating an entire bag of chips at one go. Such matter may be enjoyable going down, but it leaves a bad aftertaste, and there was a unwholesome feeling of mental somnolence, as though I’d gone too far into Jean’s warped and confining little mindset and couldn’t get back into my own. Like the potato chips, Jean is meant to be enjoyed in small doses, and I think that may be partly why I didn’t enjoy A Book of Jean’s Own as much as I hoped. Jean’s columns are all solidly crafted with their own narrative arc and make for an enjoyable few minutes of entertainment each. The book was more of a hodgepodge of Jean’s thoughts on this and that: Jean’s tips on how to throw a pity party, her daily schedule, her sketch of her dream wedding dress, fiction she wrote about herself, extracts from her cat Priscilla’s “diary”, an account of the time she reacted to a job loss by shaving her entire body bald, recipes for chocolate goodies that sound revoltingly sweet, assorted lists, her accounts of her “most memorable” false pregnancy alarms (the first occurring before she’d even lost her virginity), her husband Rick’s scribbled contributions, etc. Jean says in the book that she’s not one of those “snobby authors” who expect their book to be read beginning to end, but I do think it’s best to read it that way, as the only narrative force it has comes from Jean’s growing desperation to fill the book (at one point she fills five pages with the repeated sentence, “I am limited!”), her progressive breakdown as her deadline looms, and Rick’s stepping in to finish the manuscript. Not that I regret buying or reading the book, but the columns are the main body of work and the book is better enjoyed as an adjunct to the columns than the other way around.
On the whole the book simply maintains and fleshes out Jean’s character as set in her columns. Maria Schneider must have run head-long into the limitations of the character in conceiving this book. Jean, of course, would never be able to focus and discipline herself to the task of writing a book. And, if she did, she would never come up with an interesting premise, let alone develop it into a book-length manuscript. The book, therefore, is the only thing Jean could ever write: a hodgepodge of Jean-like thoughts.
There are a few editorial sleight-of-hand changes which I suspect were made with an eye to the column’s future. For one thing, her age has recently become fixed and lowered. Jean has been “pushing forty” since her column’s debut in the mid-nineties and she used to make a lot of references to David Cassidy and other such seventies-era pop culture, but she celebrated her fortieth birthday in the summer of 2010, which makes her of an age more likely to have swooned over Michael J. Fox. Also the genesis story of her column has been changed. In a column that seems to have been taken down, I remember her telling the story of how she sent out copies of a column called “That Cathy Cartoon Was Bang-On!” to a number of newspapers on spec, and that just The Onion and some sort of coupon or sewing newsletter (that went out of business shortly afterwards) took it. Now the story is that her first column was “Day 24 in Deely Boppers and Counting!”
On the plus side (no pun intended, really!), I love that Jean’s drawings of herself are cartoon versions of her “official” photo. The drawing of her engaged in her “naked Plush Jamboree” past-time is – well, I won’t describe it, because it really needs to be seen. Suffice it to say it is arguably the best item in the entire book. The photos of Rick Teasdale and Jean’s pal Fulgencio are superb and just what you might have expected when picturing the characters. And there were several moments where Jean hits some all-time new low ebb of self-awareness. It turns out that her cherished cats Priscilla and Garfield actually hate her, probably because she insists on constantly subjecting them to an affectionate mauling regardless of whether they’re in the mood.
I also really enjoyed having a long-cherished theory of mine confirmed. My friend and I had a running argument regarding Hubby Rick, with Jay holding that Rick was a jerk and saying that Jean should leave him immediately, while I opined that while Rick may not be a palatable character he’s no worse a spouse than Jean. Yes, Rick’s obviously an alcoholic who expects Jean to do all the housework, makes no effort to do anything to please her, drops the occasional mean comment, and threw out Jean’s “Think Spring” balcony display (even though his agency in the disappearance of this display typically escaped Jean completely). But Jean, for her part, expects Rick to pay all their bills, makes fun of him constantly in her published column (including references to his, er, competence in the bedroom), calls him "Hubby Rick" though he hates being called that, and makes no effort to accommodate his tastes and needs. She has filled their apartment with dolls and stuffed animals and frou-frou knickknacks that he hates, adopted two cats against his will, and gives him dancing flowers and potpourri for Christmas. A Book of Jean’s Own confirmed my take on Rick. Jean is a classic unreliable narrator (reading between the lines of what she says is the biggest payoff of reading her work), and Rick’s section of the book is quite revealing on both their parts. It so happens that Rick turns out to be, if less literate than Jean who can at least spell and write in complete sentences, more intelligent, realistic and insightful. He knows he has a problem with drinking and he readily admits he’s fat, but he’s also equally straightforward about his intentions not to bother changing. More interestingly, he “gets” Jean. He knows she lives in a fantasy world and that he’s enabling her by paying their rent, but he’s willing to do so because he knows she doesn’t have any better options and because he, unlike her family and many of the other people in her life, does have a certain real if grudging affection for her. This is hardly a good foundation for a healthy marriage, of course, but in a way it’s an improvement on Jean’s passive aggressive denial.
I would be open to reading another Jean book, though I can’t imagine where Maria Schneider could possibly take the character that would produce enough material. I’m hoping that some of the listed future book titles in the back of the book are merely a joke, especially Priscilla Teasdale’s Kitty Letters to God. I do enjoy Jean’s increased internet presence almost more than the book that occasioned it. Before the launch of the book in late 2010, Jean got a Twitter account, a Facebook page, and a web site for the book, where “she” posted sad accounts of her book tour appearances. This all served to give the character a startlingly realistic dynamic, especially when Jean interacts with her followers on Twitter. So, although the book may not have been quite what I hoped for, I look as eagerly for new Jean columns as I’ve always done, and now can also follow Jean on Twitter. As Jean would say herself, "Success!!!"